Oil On
Canvas, Real Flavor of Old Masters
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unknow artist
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Carrying the Cross new19/unknow artist-264238.jpg Painting ID:: 52686 |
c. 1661 Oil on canvas, 88,5 x 71,5 cm | ||
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Grunewald, Matthias
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| German Northern Renaissance Painter, ca.1470-1528 .the traditional name of a painter whose real name is believed to have been Nithardt or Neithardt. He was active at Isenheim nr. Colmar c.1514 and in Frankfurt c.1526. Gr??newald's principal work, an elaborate altarpiece of many panels painted for the monastery at Isenheim (Isenheimer Altar), is now in the Colmar museum. | ||||
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Carrying the Cross new21/Grunewald, Matthias-773755.jpg Painting ID:: 63720 |
1523-24 Oil on wood, 193 x 152,5 cm Kunsthalle, Karlsruhe This is one of the panels of the two-part altarpiece originally in the church at Tauberbischofsheim. The Carrying the Cross was seen from the direction of the choir while the other part, the Crucifixion, from the nave.Artist:GR?NEWALD, Matthias Title: Carrying the Cross Painted in 1501-1550 , German - - painting : religious | ||
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Matthias Grunewald
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| German Northern Renaissance Painter, ca.1470-1528,was an important German Renaissance painter of religious works, who ignored Renaissance classicism to continue the expressive and intense style of late medieval Central European art into the 16th century. Only ten paintings (several consisting of many panels) and thirty-five drawings survive, all religious, although many others were lost at sea in the Baltic on their way to Sweden as war booty. His reputation was obscured until the late nineteenth century, and many of his paintings were attributed to Albrecht D??rer, who is now seen as his stylistic antithesis. His largest and most famous work is the Isenheim Altarpiece in Colmar, Alsace (now in France). The details of his life are unusually unclear for a painter of his significance at this date, despite the fact that his commissions show that he had reasonable recognition in his own lifetime. His real name remains uncertain, but was definitely not Grunewald; this was a mistake by the 17th-century writer, Joachim von Sandrart, who confused him with another artist. He is documented as "Master Mathis" or "Mathis the Painter" (Mathis der Maler), and as using as surname both Gothart and Neithardt - this last may have been his surname, or more likely that of his wife. He was probably born in Wurzburg in the 1470s. It is possible he was a pupil of Hans Holbein the Elder. From about 1500 he seems to have lived at Seligenstadt, when not working elsewhere. His first dated painting is probably in Munich, dated 1503 on a much later note which apparently records an older inscription. From about 1510 to 1525 he served in the Rhineland as court painter, | ||||
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Carrying the Cross new24/Matthias Grunewald-333889.jpg Painting ID:: 83978 |
Date between 1523(1523) and 1524(1524) Medium Oil on wood cjr | ||
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Hans Memling
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| Netherlandish Northern Renaissance Painter, ca.1435-1494 Born in Seligenstadt, near Frankfurt in the Middle Rhein region, it is believed that Memling served his apprenticeship at Mainz or Cologne, and later worked in the Netherlands under Rogier van der Weyden (c. 1455?C1460). He then went to Bruges around 1465. There is an apocryphical story that he was a wounded at the Battle of Nancy, sheltered and cured by the Hospitallers at Bruges, and that to show his gratitude he refused payment for a picture he had painted for them. Memling did indeed paint for the Hospitallers, but he painted several pictures for them, in 1479 and 1480, and it is likely that he was known to his patrons of St John, prior to the Battle of Nancy. Memling is connected with military operations only in a distant sense. His name appears on a list of subscribers to the loan which was raised by Maximilian I of Austria, to defend against hostilities towards France in 1480. In 1477, when he was incorrectly claimed to have been killed, he was under contract to create an altarpiece for the gild-chapel of the booksellers of Bruges. This altarpiece, under the name of the Seven Griefs of Mary, is now in the Gallery of Turin. It is one of the fine creations of his more mature period. It is not inferior in any way to those of 1479 in the hospital of St. John, which for their part are hardly less interesting as illustrative of the master's power than The Last Judgment which can be found since the 1470s in the St. Mary's Church, Gda??sk. Critical opinion has been unanimous in assigning this altarpiece to Memling. This affirms that Memling was a resident and a skilled artist at Bruges in 1473; for the Last Judgment was undoubtedly painted and sold to a merchant at Bruges, who shipped it there on board of a vessel bound to the Mediterranean, which was captured by Danzig privateer Paul Beneke in that very year. This purchase of his pictures by an agent of the Medici demonstrates that he had a considerable reputation. | ||||
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Carrying the Cross new24/Hans Memling-788453.jpg Painting ID:: 84062 |
Date second half of 15th century Medium Oil on oak Dimensions Height: 58.2 cm (22.9 in). Width: 27.5 cm (10.8 in). cjr | ||
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Abel Grimmer
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| Flemish Baroque Era Painter, ca.1570-C.1619 | ||||
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Carrying the Cross new25/Abel Grimmer-986637.jpg Painting ID:: 87308 |
1593(1593) Medium Oil on oak panel cyf | ||
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